Posts Tagged silent pictures

A “Stand off” (clip) is a good thing.

When people order acoustic panels, whether it be Sonora Panels®, Tone Tiles®, or Silent Pictures®, the mounting method is sometimes overlooked.

“A panel mounted to the wall is a panel mounted to the wall… right?”
This isn’t entirely accurate, and we are going to focus this installment on the often misunderstood Stand off clip.

2″ Stand off Clips

What makes the Stand off clip different is that it doesn’t hold the panel flush to the wall, but it leaves a gap between the wall and the panel.

Why would you want this?
There are a few very important reasons, both acoustic and aesthetic.

Sonora® Panels with 2″ Stand off clips.

Acoustically.
Sound travels around all exposed surfaces, and by raising the panel off the wall, you expose the back surface to sound, more like a baffle, which is a great absorber.  Also, sound will pass through a panel into the space behind, bounce off the wall, and then have to pass through the panel again.  This transition from panel to air and back changes the medium sound must travel through – this effectively changes impedance, which strips energy from sound. These are just a couple of the acoustic benefits of using a standoff clip – there are others.

Tone Tiles® and Silent Pictures® can be mounted with Stand off Clips.

 

Sonora® Panel back-lit on Stand off Clips

Aesthetically.
Wall mounted Sonora® panels take on a whole new dimension when using Stand off clips – they appear to float in mid air a couple of inches off the wall.  This alone adds visual interest to a standard panel, but it can then be further accented by back-lighting the panel – changing the simple panel into a focal point in the lighting scheme.

Stand off clips can also be used with Tone Tiles® or Silent Pictures® – allowing your artwork to literally jump off the wall and float in the space in front of it.

So, a stand off is a good thing, with Sonora® Panels, Tone Tiles® and Silent Pictures®acoustically and aesthetically.

, , , , ,

Leave a comment

Acoustics First @ The Kentucky Center for African American Heritage

When Acoustics First® was approached with the ideas for the Main Hall of the Kentucky Center for African American Heritage (KCAAH), they needed acoustic materials that would not only work to acoustically tame the large space, but to have some be the focal point for attention – while others needed to blend in.

The Brown Forman Great Hall at KCAAH, showing the Silent Pictures®/Sonora® baffle portraits and quotes on the left, and the gray Cloudscape® baffles above.

Aukram Burton of KCAAH wanted to have large portraits of civil rights icons, not only nationally, but paying particular attention to leaders with a connection to Kentucky.  He also wanted to have large panels with quotes from these figures.  These would be a custom printed Silent Pictures®/Sonora® Baffle Hybrid – with a 1″ Custom printed Silent Pictures® panel on one side, and a grey fabric wrapped Sonora® Baffle on the back.  These would maximize sound absorption due to all of the surfaces being exposed to sound – while being aesthetically significant to the space.  Their sheer size presented some technical challenges – with the portraits being 4′ x 8′ and the quotes being 4′ x 10′ – creating custom artwork on this scale required many technical consultations, as many photographs were not easily scaled to this size.

The impact of the portraits in the hall can only be described as ‘impressive.’

They did not want the other treatments to distract from the portraits, so they chose to install large Cloudscape® Baffles in a gray material that closely matched the gray color scheme of the support beams, trusses, and HVAC elements that are exposed and prevalent in the hall.  This allowed the large 4′ x 8′ baffles to blend into the background, while still taming the acoustics of the large hall.  The acoustics make the hall feel like a much more intimate venue than its imposing size suggests.

Randy Lambert, Designer (Left), Jim DeGrandis (Center), and Aukram Burton of KCAAH (Right)

 

To get the full effect of the visual impact of the space, Aukram sent over a video tour of the facility.

 

, , , , ,

Leave a comment

Barrett’s Technology Solutions has a Happy Easter

Sometimes at Acoustics First we get a call from someone who is so knowledgeable that we can’t help but be tickled that they called us to help them.  We received one such phone call from Pete Heskin at Barrett’s Technology Solutions  in Naperville, IL.

Pete and his team were putting together an acoustic treatment for a listening room at their facility and wanted the room’s acoustics to really showcase their lineup of high-end audiophile speakers.  No joke here – these guys have over 50 years of experience in the audio industry – and they keep on the bleeding edge of audio and video.  This treatment is serious acoustic business – and these are some of the most discriminating ears in audio.

Happy Easter guys!

Happy Easter Guys!

Happy Easter Guys!

In keeping with their high-standards and cutting edge approach, they were looking for an acoustic treatment that is as visually stunning as it is capable of treating a room containing some of the world’s greatest sound sources. As you can see, the results are simple and elegant.

The room contains an array of Sonora® panels, Silent Pictures® and clusters of ArtDiffusor® Model D‘s to make this space sound as good as it looks.  (While all of their gear makes the gear junkies at Acoustics First drool…)

So, if you find yourself near Chicago, or on a “Wayne’s World” pilgrimage,  stop into Barrett’s – and if you fancy yourself an audiophile – put your money where your ears are, and hear how discriminating ears listen to music…

… No Stairway to Heaven.

 

, , , , , , , , , , ,

Leave a comment