Archive for category Media Room
Posted by Acoustics First in Absorption, Art Galleries, Articles, Auditorium, Broadcast Facilities, Diffusion, Home Entertainment, Home Theater, HOW TO, Industrial Facilities, Media Room, Multipurpose Rooms, Music Rehearsal Spaces, Offices, Product Applications, Recording Facilities, Studio Control Room, Teleconferencing, Theater on April 29, 2022
For the May 2022 edition of “The Construction Specifier,” Acoustics First was asked to illustrate the use of absorption and diffusion in creating optimal acoustic spaces. The article is a great reference for understanding the types of acoustic absorbers and diffusers, as well as some use scenarios like offices, critical listening spaces, and larger communal spaces.
Note: This version has been edited and the advertisements are removed. The full published version of the May 2022 digital edition can be found on The Construction Specifier’s website here.
There are many home theaters of note, but rarely is one created (at this scale) by the singular dream and dedication of one man. Ken Fritz involved Acoustics First® early in the project to perform acoustic measurements of the space, and his theater became the first large-scale installation of our newly developed HiPer® Panel. From beginning to end, Ken says that he spent more than 25 years on the realization of his dream – and others have taken notice.
There have been numerous write-ups of Ken’s theater, which was constructed (from the ground up) specifically for this purpose. The walls are hurricane grade block construction, the roof-line is constructed to improve the acoustics, the walls are clad in HiPer® Panels, the bass emanates effortlessly from in-wall enclosures – and just look at those custom built arrays that Ken designed and constructed by hand! This project is more than just a labor of love, it is an obsession with excellence.
This obsession covers every aspect of the room and the system, with everything being either built by hand, customized to his specifications, or simply the best you can get! If there is a “home theater mountain,” Ken built a skyscraper at the summit – but don’t take our word for it…
You can watch the one-hour documentary telling the story behind the dream – in Ken’s own words.
We often get asked about the functionality of the different diffusers, and one of the frequently asked questions is about the differences between the ArtDiffusor® Model C and ArtDiffusor® Model F. We will cover some of similarities and differences in the design, functionality and use of these two devices.
The Model C and Model F use identical math to come up with their basic structure, they even have angled faces – the main difference between the two is that the Model F elements are ½ of the Model C’s height, length and width – and then it is duplicated 4 times in the same footprint… The Model C is nominally 2’ x 2’ x 4” deep. The Model F is four quadrants that are nominally 1’ x 1’ x 2” deep – like little scaled down Model C’s… This makes them visually similar and aesthetically compatible. This low profile design makes the Model F more desirable for ceiling installs in spaces with very limited headroom – like basement studios that have low ceilings.
Due to the different size of the elements on the two devices, they have very different frequencies at which they are most effective. The Model C is a mid-frequency diffuser by design… having larger elements and deeper wells than the Model F. The Model F is primarily a high-frequency diffuser, due to the small elements and lower profile. Both diffusers are tuned to different frequencies as their “primary range,” and while they do affect lower and higher frequencies than they are designed for – it is to a lesser degree, or the product of absorption.
What does this mean?
The Model C has a primary design range of 1KHz to 4KHz. This is where it is primarily designed to work. It can and does diffuse below 1KHz and over 4KHz – just to a lesser degree than its primary design range.
The Model F has a primary design range of 2KHz to 8KHz, and again, it does diffuse outside of that range, but to a lesser degree.
The angled caps of both the Model C and Model F help to extend their high frequency range by reflecting sound in different directions at higher frequencies – causing the sound to scatter spatially. The different heights of the elements cause sound reflections to be offset “temporally,” or in time. The sound that hits the higher elements is reflected sooner than the sound that hits the lower elements – travelling further before it is reflected. This time offset, changes the “Phase Coherency” of the reflection; the larger the difference in the heights, the greater the offset in time.
The size of the elements matters as well. The shorter wavelengths of high frequencies can diffract and scatter off of the smaller elements of the Model F more readily than low frequencies, which see the Model F as a slightly angled & mostly flat surface. However, the lower frequencies are more affected by the larger and deeper elements of the Model C.
How do these differences help define their use?
The Model C is a great all around diffuser – it covers a wide range of frequencies, throws a very predictable 2D diffusion pattern, and it is tuned to a very musical range.
The Model F is a great high-frequency diffuser. It targets a few very specific, yet important issues. High frequencies are responsible for some nasty problems in rooms. Flutter echoes, ringing, comb filtering, and other artifacts are particularly noticeable in higher frequencies. If your room is otherwise performing well acoustically, the Model F can help tackle that last hurdle to make a good room into a great room.
Posted by Acoustics First in Absorption, Articles, Broadcast Facilities, Customer Feedback, Diffusion, DIY, Home Entertainment, Home Theater, HOW TO, Media Room, Music Rehearsal Spaces, Music Tracking Room, Product Applications, Recording Facilities, Recording Studio, Studio Control Room, Teleconferencing, Theater, Vocal Booth, Voice Over on July 14, 2016
This month we thought we’d share a few Real-Life pictures of an idea we first introduced back in summer of 2013: The “Back Wall Diffuser Array/Bass Trap”.
This is the DIY project which incorporates our Art Diffusors®, Cutting Wedge® foam and a couple of isolation hangers into one large free-floating unit, which is acoustically decoupled from the wall.
This particular array was put together by a music producer/bass player for his home. As you can tell from the pics, the construction of this unit was executed beautifully and it’s very close to the original concept drawings.
It’s never too late to get started on your own DIY project.
Any good theater or listening is acoustically treated to ensure the sound coming from the speakers is what arrives at the listener’s ears. Conditions common in small/medium rooms, such as flutter echo and comb filtering, degrade the clarity of music and speech. Here are some tricks to get a full and accurate sound out of your home theater or listening room. For those visually inclined individuals, the accompanying video shows how a critical listening space would ideally be treated.
Bass Traps – low-end control
Low frequency problems are common to almost any room, regardless of size. The good news is that most of the time the solution is simple. By installing bass traps in the corners of the room you can prevent the excessive bass build-up. If bass frequencies are allowed to build in the corners, it causes the bass frequencies to become muddy and undefined. The more corners you cover with a good trap, the better bass response you get from the room.
Having bass traps in all corners is best. That said, if you only have budget for two, having bass traps in the front corners of the room should be the highest priority. Fabric wrapped absorbers look as good as they sound, and Geometrix™ by Acoustics First, fit the corners like a glove.
Broadband Absorption – tame the ring.
To control the flutter echo caused by reflective parallel walls, it’s vital that the first refection points are treated with broadband absorption (wall panels). More than likely, your TV and/or sound system is in a fixed position, and your listening position will be relatively fixed as well. This should make the early reflection surfaces easy to locate. Sound travels in all directions from the speaker, including behind it, so put absorbers behind it on the wall. Don’t forget the floors, ceiling, and the wall behind you – sound will bounce off those as well.
Hang broadband absorbers over all the early reflection points – left, right, front and back so they are centered at ear height. Placement is the first key to getting this reflection free zone. The second is the right choice of absorber. To match your fabric wrapped bass traps, the simple choice is get some more panels wrapped in fabric. The Sonora® line of broadband absorbing panels coordinate with the bass traps, and come in a plethora of sizes and mounting options to work in your space.
Diffusers – put life back into your space.
Diffusion will give us something we couldn’t attain through absorption – a sense of open space. Even after treating with absorbers, there are still areas of the room where sound waves will sit, because your room is a fixed box with fixed speakers. Diffusers scatter the energy, creating ambiance with residual energy. This simple step does not remove energy from your room, but redistributes it into a soundscape that can make you forget you are in a room at all. In order of priority, the rear walls, front wall and ceiling are the most important surfaces to install diffusers.
There are many ways to diffuse the sound and coordinate with your room, from the fabric covered HiPer™ Panel and Double Duty Diffusers™, to the striking line of Art Diffusors® like the Model C, which can be painted to match your décor.