Archive for category Uncategorized

Acoustics First @ AES/NAB 2017 – New York

AES 2017 Booth

Be sure to stop and see Acoustics First® at the AES/NAB at the Javitz Center in New York, October 18-20, 2017!  We are booth number 553 – Next to the “Mix with the Masters” and the “Mixer – Lounge and Bar” area.

You can’t beat Autumn in New York! See you at the show!

Leave a comment

Sound Diffusion: The Movement toward Omnipresence

Here’s a great article from the August 2017 Edition of audioXpress, from our own Jim DeGrandis , on acoustic diffusers and diffusion. The article gives an overview of the ‘state-of-the-industry’ as it relates to diffuser design, measurement, and practical application.  Jim is a member of the Acoustical Society of America (ASA) and ASTM International.

Here is what we know, and where it’s headed.

Download the Article Now.

Leave a comment

Demystifying Acoustic Data: Part 3 – Perception of Volume

For anyone new to the world of acoustics, there is a multitude of terms, coefficients and numbers that are thrown around.  This flood of information can seem intimidating, especially to beginners. In this series, acoustician Cameron Girard of Acoustics First® hopes to help you distinguish between what’s useful and what’s not.

Part 3: Perception of Volume

Our ears are wonderful and intricate tools that many of us take for granted. It is very important to understand the idiosyncrasies of our hearing when considering the effect a certain acoustic treatment will make. For starters, let’s take a look at how our ears interpret volume.

Volume (Sound Intensity)

Sound levels (i.e. how loud something is) are typically expressed in decibels (dB). Human hearing ranges from 0dB (threshold of hearing) to 130dB (threshold of pain). The following chart displays common sound sources and their typical dB level.

Do two candles really burn twice as bright?

If one trombonist plays at 70dB, how much louder would it be if another trombonist started playing at 70dB? One might assume that the two trombonists combined would play at 140 dB, but this is not the case. Since decibels are logarithmic values, they cannot be combined by normal algebraic addition. When two sources at the same level play, 3dB should be added to the value to find the combined sound level. So in adding another trombonist, you would really only increase the level to 73dB, a much smaller jump than expected.

“Doubling” the amount of players will double the acoustic power, but what do we actually hear? The loudness perception table shown below displays how these decibel changes are actually perceived by the listener.

Loudness Perception Table

Change of Level Approx. Perceived Difference Volume Gain Factor Acoustic Power Gain Factor
+10dB “twice as loud” 2.000 10.000
+6dB “significantly louder” 1.516 4.000
+3dB “noticeably louder” 1.232 2.000
±0 “no change” 1.000 1.000
– 3dB “noticeably quieter” 0.812 0.500
– 6dB “significantly less loud/noisy” 0.660 0.250
– 10dB “half as loud” 0.500 0.100

*Chart Courtesy of David Eagan’s Architectural Acoustics (New York: McGraw-Hill, 1988),

As you can see, doubling the acoustic power (a change of 3dB) would be “noticeable” but not “significant”.  It would take a jump of 10dB to make something sound twice as loud. Keep this chart in mind when reviewing acoustic predictions, particularly those that that pertain to noise reduction/control and sound isolation.

, ,

Leave a comment

AuraGELL-O™ Bifractive Diffuser Technology!

AuraGELL-O™

Biosynthesized Bifractive Polyamide with Diffusive Biomass Technology

Acoustics First® is hankering to announce the first products made with our newly developed AuraGELL-O™ Compound. First realized by Peter Cooper and patented in 1845, this Biosynthesized Bifractive Polyamide has a “sweetness” when combined with our Diffusive Biomass Technology. AuraGell-O™ is a Bio-Polyamide compound which exhibits Bifractive properties, doubling the potency of the Biomass Diffuser Technology by carving the wave in two, thereby creating a phase cancelling stream which functions as a frequency tuned absorber.

The AuraGELL-O™ Infra-Red dissolves low-frequencies, while AuraGELL-O™ In-LIME absorbs the mid-band frequencies (Acoustics First® is cooking up AuraGELL-O™ Ultra-Violet for high frequencies).

Available in AuraGELL-O™ Barrel and Pyramid formats, you get the benefits of classic diffuser styling with the added bonus of the AuraGELL-O™ Biosynthesized Bifractive Polyamide with Biomass Diffuser Technology.

Installation is a piece of cake – Just nail it to the wall!

Installation is a piece of cake – Just nail it to the wall!

By mixing the AuraGELL-O™ products with other traditional acoustic products, you get enhancements never before considered – extra diffusion and absorption with a fruity scent!

By mixing the AuraGELL-O™ products with other traditional acoustic products, you get enhancements never before considered – extra diffusion and absorption with a fruity scent!

“We loved our AuraGELL-O™ Barrels so much – we went back for seconds!” – Angelo LeMonjello

Call Acoustics First® and get your AuraGELL-O™ Barrels and Pyramids today – because by tomorrow, they will all be devoured!

Update: Due to an outbreak of AuraGELL-O™ weevils, and massive consumer demand, we regret to inform you that this was an April Fool’s joke.

Bon appétit!

, ,

Leave a comment

StratiQuilt™ Before and After – Graveyard Carz!

AcousticsFirstFor our first post of 2017, we thought we’d share this video produced by our friends at Graveyard Carz! When the reality show had noise issues with their compressors while filming, they solved the problem by using Stratiquilt™ Acoustic Blankets from Acoustics First®. This video shows a before and after comparison and is a great example of the practical application of these industrial sound control blankets.

Enjoy!

StratiQuilt™ Before and After – Graveyard Carz! from Acoustics First®.

, , , , , ,

Leave a comment