Archive for category Sound proofing

Autism Spectrum Disorder and Acoustics

People with Autism Spectrum Disorder (ASD) frequently report different sensory experiences, especially with sound. Many experience hypersensitivity (overreaction to stimuli like noise or light) or hyposensitivity (reduced response, requiring stronger input). Unlike most individuals, they may not adapt to constant background noise, which can remain overwhelming. Tools like noise-canceling headphones and stim/fidget toys can help manage stress and support self-regulation.

Some autistic individuals also experience auditory processing disorder (APD), where sounds are heard but not easily understood. This can make following speech in noisy environments—like classrooms—especially difficult, even if other auditory skills remain strong.

Research on autism has often focused on traits, causes, and treatments, sometimes framing autistic individuals as the problem. A more balanced, modern, view considers how environments and nonautistic people contribute to disabling experiences. Under the social model of disability, society shares responsibility for reducing these challenges. Recent perspectives expand beyond individual traits to include social attitudes, accessibility tools, inclusive education, and building design.

The design of built environments plays a major role in comfort and performance, yet acoustics are often overlooked compared to lighting or air quality. Poor sound conditions—such as low signal-to-noise ratios—can hinder learning, particularly for children, people with hearing difficulties, or nonnative listeners. While accessibility standards address physical barriers, they rarely consider acoustic needs for autistic individuals. Studies show that high noise levels can increase distress-related behaviors in children living with autism. Both children and adults report that schools can be overwhelming due to noise, bright lights, and unpredictability, leading to fatigue and reduced learning.

To create more inclusive spaces, designers should focus on acoustics. This includes organizing layouts predictably, adding quiet “escape” areas, separating noisy and quiet zones, and using transitional spaces to ease sensory shifts. Effective sound isolation—through walls, windows, and floor/ceiling—is essential, as is reducing internal noise from building systems and other noise sources. Windows are often the weakest link through which sound can leak, but this can be mitigated with multi-pane window construction with an appropriately airtight and resilient joint sealant. The Sound Transmission Class (STC) and Outdoor-Indoor Transmission Class (OITC) of cavity wall systems can be improved with added mass, resilient layers and cavity absorption. Partitions should extend to their full height and be sealed to the structure of the roof deck or floor above. Penetrations through sound isolating partitions should be avoided. Wherever penetrations are unavoidable, they should be packed with insulation and sealed with a resilient joint sealant to minimize the leakage of sound.

Using sound-absorbing materials can further improve comfort.  Sound Channels acoustic wall fabric is often specified in classrooms and “escape” rooms as it a very durable and cleanable material that provides sound absorption within speech frequencies, reducing echoes and overall noise levels.

Overall, designing for acoustic accessibility requires recognizing the diverse sensory experiences of autistic individuals. Inclusive environments should be shaped through thoughtful design and collaboration with autistic individuals, ensuring their lived experiences guide meaningful improvements.

References:
Caldas, Fernanda; Underwood, Samuel; Masiero Bruno S. and Wang, Lily M. Autism and Indoor Sounds Acoustics Today 20 (2) 21-29.  

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BlockAid® Clear Vinyl Sound Barrier on Windows

If you need to reduce outdoor noise through your window, use Transparent Blockaid® Barrier!

Using BlockAid® Clear Vinyl Sound Barrier is a great way to cut down on unwanted neighbor noise, especially during leaf-blowing season. For this installation, clear vinyl panels were fabricated to size, with heavy-duty Velcro stitched right onto the vinyl. The mating Velcro was simply installed around the window, and presto!  You have a significant reduction in unwanted leaf-blower noise, while still being able to see out of your window. Now you can sleep in, even when your overly eager leaf-blowing neighbors do not. Clear Vinyl window covers are also great for reducing unwanted noise from lawnmowers, snow-blowers, cars, marching bands, etc.

Industrial grade Velcro stitched to the Blockaid® holds the barrier in place.

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Church Acoustics: Past, Present, and Future Challenges (Article)

With all of the challenges of 2020, Technologies for Worship Magazine wanted to discuss the issue of acoustics in the current state of things.  They approached Acoustics First® for help.  While focusing on streaming, the article also covers other emerging issues and future challenges as we all move forward.

Sound Solutions installation at Midway Christian Church in Bluefield, WV

Streaming services from empty halls is an often overlooked situation. (Sonora® Panel installation at Midway Christian Church – Photo by Bo Vandall, Sound Solutions – Beckley, WV)

Technologies for Worship article below.
TFWM august 2020 Acoustics First articleLink to Acoustics First® Article
(TFWM site here)

To overcome your present and future acoustic challenges, contact Acoustics First® for help!

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Demystifying Acoustic Data: Part 3 – Perception of Volume

For anyone new to the world of acoustics, there is a multitude of terms, coefficients and numbers that are thrown around.  This flood of information can seem intimidating, especially to beginners. In this series, acoustician Cameron Girard of Acoustics First® hopes to help you distinguish between what’s useful and what’s not.

Part 3: Perception of Volume

Our ears are wonderful and intricate tools that many of us take for granted. It is very important to understand the idiosyncrasies of our hearing when considering the effect a certain acoustic treatment will make. For starters, let’s take a look at how our ears interpret volume.

Volume (Sound Intensity)

Sound levels (i.e. how loud something is) are typically expressed in decibels (dB). Human hearing ranges from 0dB (threshold of hearing) to 130dB (threshold of pain). The following chart displays common sound sources and their typical dB level.

Do two candles really burn twice as bright?

If one trombonist plays at 70dB, how much louder would it be if another trombonist started playing at 70dB? One might assume that the two trombonists combined would play at 140 dB, but this is not the case. Since decibels are logarithmic values, they cannot be combined by normal algebraic addition. When two sources at the same level play, 3dB should be added to the value to find the combined sound level. So in adding another trombonist, you would really only increase the level to 73dB, a much smaller jump than expected.

“Doubling” the amount of players will double the acoustic power, but what do we actually hear? The loudness perception table shown below displays how these decibel changes are actually perceived by the listener.

Loudness Perception Table

Change of Level Approx. Perceived Difference Volume Gain Factor Acoustic Power Gain Factor
+10dB “twice as loud” 2.000 10.000
+6dB “significantly louder” 1.516 4.000
+3dB “noticeably louder” 1.232 2.000
±0 “no change” 1.000 1.000
– 3dB “noticeably quieter” 0.812 0.500
– 6dB “significantly less loud/noisy” 0.660 0.250
– 10dB “half as loud” 0.500 0.100

*Chart Courtesy of David Eagan’s Architectural Acoustics (New York: McGraw-Hill, 1988),

As you can see, doubling the acoustic power (a change of 3dB) would be “noticeable” but not “significant”.  It would take a jump of 10dB to make something sound twice as loud. Keep this chart in mind when reviewing acoustic predictions, particularly those that that pertain to noise reduction/control and sound isolation.

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StratiQuilt™ Before and After – Graveyard Carz!

AcousticsFirstFor our first post of 2017, we thought we’d share this video produced by our friends at Graveyard Carz! When the reality show had noise issues with their compressors while filming, they solved the problem by using Stratiquilt™ Acoustic Blankets from Acoustics First®. This video shows a before and after comparison and is a great example of the practical application of these industrial sound control blankets.

Enjoy!

StratiQuilt™ Before and After – Graveyard Carz! from Acoustics First®.

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