Archive for category Recording Studio

Bonus Room to Project Studio! Nick Lane Mastering

Nick Lane, an independent audio engineer whose credits include Rascal Flatts and Reba McEntire, contacted Acoustics First® seeking help with his project studio. This process would convert the bonus room in his house (a second floor space above his garage) into a Project Studio.

Nick Lane Bonus Room - Before

After receiving some measurements and photos, we went to work designing a layout for the space.

Nick Lane Visualization 1 Nick Lane Visualization 2

Placement of panels and ceiling clouds were optimized to reduce early reflections and trap bass, and a combination of Model D’s and C’S were used to widen the “sweet spot” of his room.

Nick Lane - After

“Sounds really good!….. High end is sooo much less harsh…… walking around the room, the low-end doesn’t disappear in places anymore” – Nick Lane

Nick Lane Panorama

 

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DIY – Back Wall Diffuser Array/Bass Trap: Revisited

DIY - Diffuser Array/Bass Trap

DIY – Diffuser Array/Bass Trap

bass trap foam diffuser - sideThis month we thought we’d share a few Real-Life pictures of an idea we first introduced back in summer of 2013: The “Back Wall Diffuser Array/Bass Trap”.

Isolation Hanger

Isolation Hanger

This is the DIY project which incorporates our Art Diffusors®, Cutting Wedge® foam and a couple of isolation hangers into one large free-floating unit, which is acoustically decoupled from the wall.

This particular array was put together by a music producer/bass player for his home. As you can tell from the pics, the construction of this unit was executed beautifully and it’s very close to the original concept drawings.

It’s never too late to get started on your own DIY project.

Real World - DIY

Real World – DIY

Visit the Original DIY page to find out how to make your own. 

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DIY – Treating a Wall – BlockAid® and SoundChannels®

AcousticsFirstOn many occasions, we get asked about common ways to treat a wall (or walls) either for broadcast, podcast, or other voice recording scenario – where they not only want to tame the reflections within the room, but also block a certain amount of sound coming into – or leaving the room.

Budget is frequently an issue, major construction is usually unwanted, but effective results are always required.

We’re going to show you how to handle a room upgrade – cut down on the sound transmission and cut the room reflections – all with the same skills required to hang high quality wall coverings!  Let’s see how you can cover a wall with BlockAid® vinyl sound barrier to block unwanted sound, then go back and cover that with an absorptive layer of Sound Channels® wall covering  to finish it off!

This treatment is not recommended for renters, as this is not an easy upgrade to undo.  However, if you have an extra bedroom you are using as Podcast studio, this is a great way to treat it… Let’s get started!

Installing BlockAid®

Measure the wall for the first panel length. Mark the panel width on the wall.

1. Measure the wall for the first panel length. Mark the panel width on the wall.

Measure and Mark the length of the wall on the BlockAid®

2. Measure and Mark the length of the wall on the BlockAid®

Use a straightedge and a razor to cut the BlockAid® to length.

3. Use a straightedge and a razor to cut the BlockAid®.

Using a trowel, apply vinyl tread adhesive to the wall, covering the whole area where the first panel is going. (You marked the wall right?)

4. Using a trowel, apply vinyl tread adhesive to the wall, covering the whole area where the first panel is going. (You marked the wall right?)

Hang the panel starting at the top, install a few screws to hold it in place while the adhesive sets. (You will probably need a friend to help, as BlockAid® is a pound per square foot!)

5. Hang the panel starting at the top, install a few screws to hold it in place while the adhesive sets. (You will probably need a friend to help, as BlockAid® is a pound per square foot!)

Using your hands and a putty knife, smooth out all the air bubbles from behind the BLockaid® so that you get a good bond when the adhesive cures.

6. Using your hands and a putty knife, smooth out all the air bubbles from behind the BlockAid® so that you get a good bond when the adhesive cures.

Repeat the steps for the next strip. Measure, Mark, Cut, Trowl, Hang...

7. Repeat the steps for the next strip. Measure, Mark, Cut, Trowl, Hang…

Make sure you line up those seams! push them right up agaist each other. Smooth out the air bubbles, cut out any outles, trim any extra... Let dry!

8. Make sure you line up those seams! push them right up agaist each other. Smooth out the air bubbles, cut out any outles, trim any extra… Let dry!

Good job! Now, take a breather while that dries, and notice how much less sound is passing through the walls.  This is when you will notice that the sounds are now coming from under the door, and through the leaky old window.  These can be taken care of in different ways…. but the easiest way is the same way you deal with keeping the cold out!   Get some weather strip, a door skirt, seal the gaps around the frame of the door, and windows, maybe go out and buy some heavy curtains for the windows… if you have some leftover BlockAid®, you can always get some Industrial Velcro and temporarily stick a piece over the window!

Installing Sound Channels®

1. Remove the Screws from the BLockAid® - if you didn't already... then same as BlockAid®, measure the wall, mark it, measure and cut a piece of Sound Channels® and start troweling on the Chapco!

1. Remove the Screws from the BLockAid® – if you didn’t already… then same as BlockAid®, measure the wall, mark it, measure and cut a piece of Sound Channels® and start troweling on the Chapco!

2. Well, when you get tired, make your friend finish troweling out the adhesive to cover where the panel is going. (You are going to overlap the seams.)

2. Well, when you get tired, make your friend finish troweling out the adhesive to cover where the panel is going. (You are going to overlap the seams.)

3. Starting at the top, hang the Sound Channels® overlapping the seam of the BlockAid under it. Smooth out the air bubbles with your hands. Make sure it lines up well. No screws needed!

3. Starting at the top, hang the Sound Channels® overlapping the seam of the BlockAid® under it. Smooth out the air bubbles with your hands. Make sure it lines up well. No screws needed!

4. Measure and cut the next strip, carefully following a rib in the fabric, while your friend, (who is way better at troweling than you are anyway,) preps the next section with adhesive.

4. Measure and cut the next strip, carefully following a rib in the fabric, while your friend, (who is way better at troweling than you are anyway,) preps the next section with adhesive.

5. Best practice is to run the fabric in the same direction every time. Not just with the ribs, but in the same direction it comes off the roll. So find the top.

5. Best practice is to run the fabric in the same direction every time. Not just with the ribs, but in the same direction it comes off the roll. So find the top.

6. After you find the top, start hanging from the top, lining up the seams and smoothing out the bubbles as you go.

6. After you find the top, start hanging from the top, lining up the seams and smoothing out the bubbles as you go.

7. Keep those seams tight as you go. Keep smoothing... almost done!

7. Keep those seams tight as you go. Keep smoothing… almost done!

8. Trim up the extra and repeat as many times as needed.

8. Trim up the extra and repeat as many times as needed.

That’s it!

Don't forget to trim around those outlets!

Don’t forget to trim around those outlets!

This treatment is a common first step in treating many professional broadcast studios – it gives you extra isolation with the barrier and takes the edge of the sound reflections.  Many professional environments then go back and add some additional treatments such as bass traps, diffusers, and broadband absorber panels – especially if these studios are planning on bringing in any musical guests.

This isn’t just for home studios.  It works great for kids play rooms, bedrooms, home theaters, home gyms, and any place you want to block sound and tame the sound inside the room.

Customize your space as you will, but this treatment is a consistent winner for cost and performance, and is a great way to get started without breaking the bank!

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DIY Microphone Shield/Gobo – 2 Minutes (with Video!)

Stuff you need: Glue, Binder and Foam

Stuff you need: Glue, Binder and Foam

Acoustics First understands that the Do-it-Yourself spirit in the audio world is alive and well, and here is another one of our contributions to that community.

The personal mic shield… all you need is…

  • Foam safe Glue
  • a One inch thick, three ring binder
  • two 1 foot x 1 foot pieces of foam
  • 2 Minutes

Got everything together?
Do you have 2 minutes?
Let’s do this!
Watch the video…

Or follow the steps…

Open the Binder

Open the Binder

Open the binder and bend the bottom tab flat.

DIY Mic Shield - Tab dyi mic shield 04

Spray the Binder and the back of the foam with glue.

dyi mic05 dyi mic 06

Wait for a few seconds for the glue to get tacky, then carefully stick the foam to the binder – be sure to apply pressure to allow for a strong bond.

dyi mic07

Give the glue some time to dry.
dyimic08

After the glue sets, slide the rings of the binder over a bare mic stand – the top tab will hold the shield up.
dyi mic09

All Done! Just set up your mic and you’re ready to go!

Complete Mic Shield with Microphone.

Complete Mic Shield with Microphone.

This DIY project is brought to you by Acoustics First – Be inspired and sound great doing it. Enjoy!

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Model D @ DesignDC & WBWV

That’s right. Acoustics First will be unfurling some of the wrapping and exposing the newest addition to the ArtDiffusor® Family of diffusers… the Model D.  Where can you see it?

DesignDC 2013 - September 25-26, 2013

DesignDC 2013

 September 25-26th, 2013
  Walter E. Washington Convention Center, Washington DC

Acoustics First will be set up in the main exhibit hall (in Booth 507), showing off the Model D, the newest release into the ArtDiffusor® family.  Come on down to see for yourself what all the noise is about – pardon the pun.

Another interesting development is the first install of Model D’s in a Broadcast studio.  In a move to “liven-up” the very “dead” studio to better accommodate the live recording of in-studio musicians, WBWV 88.7 FM in Beckley, WV pointed to the New Model D as their solution.

The Sound, 88.7 fm Beckley, WV

WBWV 88.7 FM Beckley, WV

FInally, don’t forget that you can check out any new developments or products at Acousticsfirst.com, where the Model D page has a couple “Bonus Features”  like:

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