Posts Tagged diffusors

Big vs. Bigger: 2′ vs 4′ Acoustic Diffusers

A couple common form factors in acoustics are based on building material sizes. Ceiling grids are a common place to install acoustic devices, and you will find that many are built to either work in a 2’x2′, 2’x4′, or 4’x4′ ceiling grid installation. This makes sense, but did you know that these devices also perform differently in some cases due to their dimensions? This is especially true with acoustic diffusers.

When you’re tuning a room—whether it’s a studio, theater, rehearsal space, or even a high-end listening room—acoustic diffusers are one of those rare tools that improve clarity without taking the life out of the space. Designs like the Double Duty Diffuser, Pyramidal Diffusers, and Quadratic Diffusers all share that same mission: redistribute sound energy so your room feels open, natural, and honest.

But while they may look similar in concept, their size changes the game. A 2’x2′ panel and a 4’x4′ panel both diffuse sound, but their effect—especially in the low-frequency and low-mid ranges—can be very different.

2’x2′ Diffusers — Compact Control

2’x2′ units are the most modular diffusers in the lineup. Their smaller footprint makes them ideal for:

  • Breaking up mid and high-frequency reflections
  • Treating small and medium rooms
  • Sitting comfortably in grid ceilings or tight wall spaces

Because of their size, 2’x2′ diffusers don’t interact as much with the low-frequency energy in a room. Bass waves—being physically large—tend to wrap around smaller objects. The result? Excellent clarity improvements in the mids and highs, with a very predictable diffusion performance. The Double Duty Diffuser and Pyramidal diffusers have been a standard in breaking up planar surfaces for decades. While their diffusion in low frequencies is limited at this size, the air cavities do help control some upper bass frequencies through absorption.

The tuned mid frequency effects of the 2’x2′ quadratic, and the smooth performance of the Double Duty or Pyramidal diffuser are perfect for control rooms, edit rooms, drum booths, and anywhere you want accuracy without sacrificing sparkle.

Compared to the 2’x2′ Double Duty diffuser, the 4’x4′ is absolutely massive!

4’x4′ Diffusers — Where Diffusion meets Bass Control

Now we get to the big ones.

A 4’x4′ diffuser is similar in concept to its smaller relatives, but the scale moves it into a different acoustic category. At this size, diffusers begin to influence longer wavelengths, which opens the door to something smaller diffusers often struggle with…

Low-frequency interaction

Large diffusers present enough depth, volume, and surface area to affect the bass spectrum. The extra size creates cavities which are tuned to reduce bass, and they have surfaces large enough to redirect those lower frequencies.

  • Break up standing waves in the low-mid range
  • Reduce modes and nodes common in rectangular rooms
  • Add a sense of openness to the bass field
  • Prevent buildup behind listening positions

In other words: same diffuser concept, very different low-end behavior.

Wide-area coverage

A single 4’x4′ panel can modify a huge portion of a wall, creating an even, spacious character that feels less like “treatment” and more like a room that’s naturally well-behaved.

These panels shine in larger studios, live rooms, and worship spaces—anywhere you need diffusion that reaches deeper into the frequency spectrum – and can break-up large, flat, specular surface reflections, which are responsible for flutter, echoes, bass buildup, and long reverb times.

Which do you need?

There are two main factors in the decision: space and performance requirements. In certain environments, it’s impractical or impossible to install large 4’x4′ or larger diffusers; It also may not be the best solution – even if it may appear to be on paper. While a single, large barrel diffuser may appear ideal, you may not have enough physical space to allow the diffusion to develop – where several smaller diffusers would be the better solution.

In short, your physical space and acoustic conditions will dictate which size elements will give you the most benefit in your environment.

Which do you want under your Christmas tree this year?

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You say “Diffuser,” I say “Diffusor”

If you’ve spent any time around acoustic treatment—especially sound diffusion—you’ve probably noticed something odd: sometimes the product is called a “diffuser, and other times it’s a diffusor“. For newcomers, this can feel like a secret code or a subtle technical distinction – But the truth is much simpler.

Many trace the dual spelling back to Manfred Schroeder, the German physicist who developed the mathematically designed Quadratic Residue Diffusor (QRD).
In German, the word is spelled Diffusor.” When Schroeder’s work entered the academic world, the spelling likely came with it.

Because his research became foundational in architectural acoustics, the German spelling spread through physics papers, textbooks, and graduate-level acoustics programs. Over time, “diffusor” became a common spelling when discussing mathematical or Schroeder-style diffusors specifically.

As manufacturers began producing these mathematically derived designs—like the ArtDiffusor® line from Acoustics First® (and many other early products)—they retained the “diffusor” spelling as a nod to the academic and scientific origins.

Before long, the industry ended up with two spellings that referred to the same thing:

  • Diffuser – the standard English spelling
  • Diffusor – the academically inherited, German-influenced spelling tied to Schroeder’s work

Both spellings appear throughout the professional audio world, and both are correct.

Is There Any Practical Difference?

No. None. Zero.

There is no technical difference between a “diffuser” and a “diffusor.” They both refer to devices used to redistribute sound energy and improve the acoustic quality of a space through accelerating the development of sound field diffusion. The spelling variation is purely linguistic.

Think of it like “colour” vs. “color” or “flavour” vs. “flavor.” British English keeps the “u,” American English drops it. (However, if you ask a Brit, they’ll tell you Americans are obviously spelling it wrong.)

The “diffusor/diffuser” split works the same way—just with a German twist.

So Which Should You Use?

Use whichever feels natural or matches the context you’re writing in. Many engineers and academics use diffusor when referring to Schroeder-type or other mathematical designs, simply out of tradition. Others stick with the standard English diffuser.”

Tomato. Tom-ah-to.

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Introducing the Aeolian™ Diffuser

Production Unit – Photo

Acoustics First® is pleased to announce our latest creation: The Aeolian™ Sound Diffuser. In some ways a simplified version of our popular Art Diffusor® Model D, the Aeolian™ is the latest in our line of ‘Organic Quadratics’. Part of the Aeolian’s™ unique design comes from its use of “implied symmetry”. Although the edges are all asymmetric, the height variations are just subtle enough to create an illusion of symmetry when installed in a standard 15/16” grid, or spaced appropriately on a wall. The lack of a uniform edge also has added acoustical benefits in the way of “randomness”.

3D Development Model

Simulations are compared to final test results before production. (Test result by NWAA Labs.)

The development process for the Aeolian™ was similar to that of our ‘Model D’. Various 3D models were created and refined, after which we ran acoustical simulations. Once we settled on what we considered the optimum design for what we were going for, a full scale 3D model was printed for lab testing. With the ‘real world’ test results in hand, confirming our predicted results, we set about making the final mold, and this new diffuser was born.

Pre-Production Prototype printing on the Gigabot

Aeolian Mold.

 

First batch of Aeolians!

 

The Aeolian™ Diffuser is class A thermoplastic, and 4 lbs. per unit.
Nominal size is 23-3/4” x 23-3/4” with a depth of 5.1”.

Download the Aeolian™ Diffuser Data.

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Comprehensive Diffuser Data Now Available!

Figure 1 – 3D Polar “Balloons” are used to display a full hemispheric acoustic level response, at specific frequencies, in front of the diffusive surface. This is how a 5000Hz signal would reflect off an Art Diffusor® Model D: If we could see acoustic energy, this is what it might look like!

3D Polar “Balloons” are used to display a full hemispheric acoustic level response, at specific frequencies, in front of the diffusive surface. This is how a 5000Hz signal would reflect off an Art Diffusor® Model D: If we could see acoustic energy, this is what it might look like!

Acoustics First® has long been at the forefront of many exciting developments in the world of sound diffusion. In the spring of 2015, we created a method to evaluate sound diffusers using particle computer simulations. Then we utilized 3D printing technology to streamline the development of new diffuser prototypes. Recently, we received a patent for our innovative Art Diffusor® Model D design. Now we’re excited to announce the release of a new comprehensive data booklet for our entire line of sound diffusers!

In essence, this booklet represents an entirely new way to view and compare sound diffusers. “With technological advances accelerating at a staggering rate, we believed it would be advantageous to compile all of the measurable acoustic parameters of these devices, in order to develop an operating profile for each.” Since sound absorption and sound reflection can both be measured with great accuracy, we foresee a use for this data, or similar data, in virtual acoustic room modeling, along with other useful applications.


Contact us for your own print copy of the Acoustics First Diffuser Data booklet (or click here to download the PDF). The electronic data that was used to create the polar diffusion balloons is also available per request (Data compiled for Acoustics First by NWAA Labs in Elma, WA).
Currently, we are working closely with other members of the industry in an effort to develop a universally accepted standard for testing sound diffusion. In the absence of such a standard, Acoustics First is presenting this data in good faith as we believe it represents the best of what is currently available.

We look forward to sharing more advances in the field of sound diffusion!

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Barrett’s Technology Solutions has a Happy Easter

Sometimes at Acoustics First we get a call from someone who is so knowledgeable that we can’t help but be tickled that they called us to help them.  We received one such phone call from Pete Heskin at Barrett’s Technology Solutions  in Naperville, IL.

Pete and his team were putting together an acoustic treatment for a listening room at their facility and wanted the room’s acoustics to really showcase their lineup of high-end audiophile speakers.  No joke here – these guys have over 50 years of experience in the audio industry – and they keep on the bleeding edge of audio and video.  This treatment is serious acoustic business – and these are some of the most discriminating ears in audio.

Happy Easter guys!

Happy Easter Guys!

Happy Easter Guys!

In keeping with their high-standards and cutting edge approach, they were looking for an acoustic treatment that is as visually stunning as it is capable of treating a room containing some of the world’s greatest sound sources. As you can see, the results are simple and elegant.

The room contains an array of Sonora® panels, Silent Pictures® and clusters of ArtDiffusor® Model D‘s to make this space sound as good as it looks.  (While all of their gear makes the gear junkies at Acoustics First drool…)

So, if you find yourself near Chicago, or on a “Wayne’s World” pilgrimage,  stop into Barrett’s – and if you fancy yourself an audiophile – put your money where your ears are, and hear how discriminating ears listen to music…

… No Stairway to Heaven.

 

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