Archive for category Recording Facilities
Demystifying Acoustic Data: Part 2 – Test Material Mounting
Posted by Acoustics First in Absorption, Home Entertainment, Home Theater, Products, Recording Facilities, Theater on October 13, 2016
For anyone new to the world of acoustics, there is a multitude of terms, coefficients and numbers that are thrown around. This flood of information can seem intimidating, especially to beginners. In this series, acoustician Cameron Girard of Acoustics First® hopes to help you distinguish between what’s useful and what’s not.
Part 2: How Mounting in Testing Affects Sound Absorption Data
As I discussed in my previous article, the best way to compare the performance of sound absorbing panels is by referencing the Sound Absorption Coefficient (SAC) and Noise Reduction Coefficient (NRC). However, these coefficients are often used as marketing tools. Be on the lookout for companies that list absorption coefficients and NRCs without mention of a particular testing standard or mounting method. It’s vital to check for this information, as direct comparisons to competitors and other materials can only be made if their testing procedures are the same.
The sound absorption of a material that covers a flat surface not only depends on the physical qualities of the material but also on how the material is mounted during installation. The mountings specified in laboratory tests are intended to simulate conditions that exist in normal use, such as direct wall mounting and installation into a ceiling grid.
Many materials for treatment of walls or ceiling are tested using what is called Type ”A” mounting. Type ”A” mounting means the test specimen was placed directly on the test surface of the reverberation chamber. Lay-in ceiling tiles, on the other hand, are often tested using ”E400” mounting. The ”E” designates a sealed air space behind the specimen (simulating the air gap between a dropped tile ceiling and the structural ceiling) and the number after the ”E” is the depth of the airspace in millimeters. The airspace behind the acoustic material affects the sound absorption by acting as a bass trap. The deeper the cavity behind the panels is, the lower the fundamental of the “trapped” frequencies will be.
To see what this look like in terms of actual numbers, let’s take a look at how different mounting methods effect the sound absorption coefficients of Acoustics First’s HiPer® Panel (a low-profile, composite absorber/diffuser panel).
Since the HiPer® Panel can be used effectively in multiple applications; we had it tested in accordance to the two most-common mounting procedures, Type E-400 and Type A. The results of the laboratory tests are as follows:
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Product Info |
Sound Absorption Coefficients |
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| Product Name | Thickness | Mounting | 125Hz | 250Hz | 500Hz | 1kHz | 2kHz | 4kHz |
NRC |
| 1″ HiPer® Panel | 1″ | E-400 | 0.43 | 0.28 | 0.51 | 0.76 | 0.99 | 1.10 | 0.65 |
| 1″ HiPer® Panel | 1″ | A | 0.09 | 0.28 | 0.78 | 0.75 | 0.94 | 0.85 | 0.70 |
As you can see from the chart, the sound absorption coefficient at 125 Hz varies greatly between E-400 mounting (SAC of .43) and Type-A mounting (SAC of .09). If mounting the HiPer® Panel in a ceiling grid, with a sizable airspace, you can expect significant low-frequency absorption, but mounting it on a wall (Type-A) will result in much less absorption at 125Hz.
Other mounting methods are available, but are not used as frequently. Here are some of the basic mounting designations (See ASTM E795 for more information.)
Type A mounting – Test specimen laid directly against the test surface (wall panel on drywall).
Type B mounting – Test specimen cemented directly against the test surface. Type B mounting is intended to simulate acoustical ceiling tiles or other sound-absorptive products adhered to a hard surface with an adhesive.
Type C Mounting—Test specimen comprising sound-absorptive material behind a perforated, expanded, open facing or other porous material.
Type D Mounting—Test specimen mounted on wood furring strips.
Type E Mounting—Test specimen mounted with an air space behind it (dropped tile ceiling).
As we’ve discussed, acoustical data can vary greatly depending on the mounting method used during testing. Acoustics First tries to include as much information about testing procedures as possible, because we feel an informed client makes the best client.
Contact Acoustics First for your all your sound control needs!
DIY – Back Wall Diffuser Array/Bass Trap: Revisited
Posted by Acoustics First in Absorption, Articles, Broadcast Facilities, Customer Feedback, Diffusion, DIY, Home Entertainment, Home Theater, HOW TO, Media Room, Music Rehearsal Spaces, Music Tracking Room, Product Applications, Recording Facilities, Recording Studio, Studio Control Room, Teleconferencing, Theater, Vocal Booth, Voice Over on July 14, 2016
This month we thought we’d share a few Real-Life pictures of an idea we first introduced back in summer of 2013: The “Back Wall Diffuser Array/Bass Trap”.
This is the DIY project which incorporates our Art Diffusors®, Cutting Wedge® foam and a couple of isolation hangers into one large free-floating unit, which is acoustically decoupled from the wall.
This particular array was put together by a music producer/bass player for his home. As you can tell from the pics, the construction of this unit was executed beautifully and it’s very close to the original concept drawings.
It’s never too late to get started on your own DIY project.
Visit the Original DIY page to find out how to make your own.
DIY – Treating a Wall – BlockAid® and SoundChannels®
Posted by Acoustics First in Absorption, Animal Shelters, Auditorium, Broadcast Facilities, Classrooms, DIY, Fitness, Government, Gymnasium, Home Entertainment, Home Theater, HOW TO, Media Room, Multipurpose Rooms, Music Rehearsal Spaces, Music Tracking Room, Product Applications, Recording Facilities, Recording Studio, School & Educational Facilities, Sound proofing, Studio Control Room, Teaching Rooms, Teleconferencing, Theater, Uncategorized, Vocal Booth, Voice Over on July 16, 2015
On many occasions, we get asked about common ways to treat a wall (or walls) either for broadcast, podcast, or other voice recording scenario – where they not only want to tame the reflections within the room, but also block a certain amount of sound coming into – or leaving the room.
Budget is frequently an issue, major construction is usually unwanted, but effective results are always required.
We’re going to show you how to handle a room upgrade – cut down on the sound transmission and cut the room reflections – all with the same skills required to hang high quality wall coverings! Let’s see how you can cover a wall with BlockAid® vinyl sound barrier to block unwanted sound, then go back and cover that with an absorptive layer of Sound Channels® wall covering to finish it off!
This treatment is not recommended for renters, as this is not an easy upgrade to undo. However, if you have an extra bedroom you are using as Podcast studio, this is a great way to treat it… Let’s get started!
Installing BlockAid®
Good job! Now, take a breather while that dries, and notice how much less sound is passing through the walls. This is when you will notice that the sounds are now coming from under the door, and through the leaky old window. These can be taken care of in different ways…. but the easiest way is the same way you deal with keeping the cold out! Get some weather strip, a door skirt, seal the gaps around the frame of the door, and windows, maybe go out and buy some heavy curtains for the windows… if you have some leftover BlockAid®, you can always get some Industrial Velcro and temporarily stick a piece over the window!
Installing Sound Channels®
That’s it!
This treatment is a common first step in treating many professional broadcast studios – it gives you extra isolation with the barrier and takes the edge of the sound reflections. Many professional environments then go back and add some additional treatments such as bass traps, diffusers, and broadband absorber panels – especially if these studios are planning on bringing in any musical guests.
This isn’t just for home studios. It works great for kids play rooms, bedrooms, home theaters, home gyms, and any place you want to block sound and tame the sound inside the room.
Customize your space as you will, but this treatment is a consistent winner for cost and performance, and is a great way to get started without breaking the bank!
DIY Microphone Shield/Gobo – 2 Minutes (with Video!)
Posted by Acoustics First in Absorption, DIY, HOW TO, Recording Studio, Video, Vocal Booth, Voice Over on May 1, 2015
Acoustics First understands that the Do-it-Yourself spirit in the audio world is alive and well, and here is another one of our contributions to that community.
The personal mic shield… all you need is…
- Foam safe Glue
- a One inch thick, three ring binder
- two 1 foot x 1 foot pieces of foam
- 2 Minutes
Got everything together?
Do you have 2 minutes?
Let’s do this!
Watch the video…
Or follow the steps…
Open the binder and bend the bottom tab flat.
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Spray the Binder and the back of the foam with glue.
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Wait for a few seconds for the glue to get tacky, then carefully stick the foam to the binder – be sure to apply pressure to allow for a strong bond.
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Give the glue some time to dry.

After the glue sets, slide the rings of the binder over a bare mic stand – the top tab will hold the shield up.

All Done! Just set up your mic and you’re ready to go!
This DIY project is brought to you by Acoustics First – Be inspired and sound great doing it. Enjoy!
Tone Tiles™ – New! More Square Feet! Same Great Price!
Posted by Acoustics First in Absorption, Home Entertainment, Home Theater, Media Room, Multipurpose Rooms, Music Rehearsal Spaces, Offices, Product Applications, Products, Recording Facilities, Restaurants on October 29, 2014
That’s right! The Tone Tile™ line of products is expanding (literally.) We have added a new Size to the line of Paintable/Printable Tone Tiles™ – the New 2′ x 3′! Same Great price of $325 a box!
We still have the box of Ten 1’x2′ Tone Tiles™ for $325, but now you have the option to get a box of Four 2’x3′ Tone Tiles™ for the same $325! These are still paintable or printable, just bigger ~ So they have a larger impact visually and acoustically! Know an artist? Support the local artists or the artist in your own house – and create a one-of-a-kind piece of acoustic art!
Got a great photo on your phone? We have seen some really great results with photos taken straight from their iPhone! Now, there is a way you can really take those photos and put them on your wall! They look great, and improve the acoustics of your room in the process.
If the 1’x2′ or the 2’x3′ Tone Tiles™ are not exactly what you are looking for, we also provide custom sizes up to 4’x8′! Quick shipping is not available for custom orders.
To review:
- New Tone Tile™ Box – Four Tone Tiles™ in a Box / 2’x3′ each. (24 square feet)
- Original Tone Tile™ Box – Ten Tone Tiles™ in a Box / 1’x2′ each. (20 square feet)
Either Option – Quick Ship available – Only $325.00/box
Printable/Paintable – get creative and sound great at the same time.


































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