Posts Tagged hiper impact

From Utility to Engineered Performance: Comparing Armstrong® 1B Perforated Tiles Vs. HiPer Panels®

For decades, perforated acoustic panels have played an important role in shaping the sound of recording studios, broadcast facilities, civic buildings, and public spaces. While the iconic Armstrong® 1B perforated mineral fiber tile represented the standard for practical noise control throughout much of the twentieth century, modern acoustic engineering has transformed what perforated panels can accomplish. A comparison between the Armstrong® 1B and today’s Acoustics First® HiPer Panel® family illustrates just how far acoustic technology has advanced.

Perforated Armstrong® 1B tiles – drilled random (left) and straight (right)

The Armstrong® 1B tile was designed as a utilitarian acoustic treatment. Manufactured from thin mineral fiber, the 1′ x 1′ panels featured either linear or random perforation patterns that allowed sound energy to enter the porous material for absorption – which increased the NRC of these tiles to a 0.55-0.60. Originally developed during WWII and used in military barracks and installations, these tiles eventually found their way into countless municipal buildings, schools, government facilities, and even legendary recording environments such as RCA and Sun Recording Studios. Their modest absorption characteristics, ease of installation, and economical construction made them a practical solution for reducing reverberation in a wide variety of spaces.

The Million Dollar Quartet (left-to-right – Jerry Lee Lewis, Carl Perkins, Elvis Presley, & Johnny Cash) at Sun Studios (Memphis, TN) with Armstrong 1B straight-drilled tiles on the wall. (1956)

Despite their historical significance, the Armstrong® 1B tiles were fundamentally simple acoustic absorbers. The mineral fiber substrate behaved much like compressed fiberboard or heavy paper, relying solely on the porous material itself for sound absorption. While the perforations exposed more surface area to incoming sound, there was no engineered reflective face, no constrained barrier layer, and no intentional diffusion characteristics. Their primary function was simply to absorb a portion of the reflected sound energy.

Modern critical listening spaces demand considerably more sophisticated performance.

The Acoustics First® HiPer Panel® family builds upon decades of acoustic research using high-performance fiberglass substrates and engineered panel construction. Rather than functioning as simple absorbers, HiPer Panels® are carefully designed hybrid acoustic devices that combine broadband absorption with controlled reflection and diffusion. Where the Armstrong tiles had an NRC of 0.55 – 0.60, the HiPer panels increase this to a 0.90 NRC – but they also introduce tuned absorption and diffusion.

The original HiPer Panel®

The original laminated HiPer Panel® incorporates a perforated fiberglass bonded to a constrained barrier septum layer. This engineered assembly allowed portions of the sound spectrum to be reflected while some acoustic energy passed into the fiberglass absorber, creating a more balanced acoustic response than a conventional porous panel. The result is an environment that maintains clarity, spaciousness, and natural musical energy instead of becoming acoustically “dead.”

The HiPer Panel® Impact

The Hiper Panel® Impact takes a slightly different approach by utilizing a durable perforated reflective face over the fiberglass core. Its optimized perforation pattern and reflective surface are specifically engineered to provide controlled diffusion on top of tuned absorption, making it well suited for performance venues, mastering rooms, critical listening spaces, and recording studios where preserving acoustic life is just as important as controlling excessive reflections. This tuned absorption allows the low frequencies to be absorbed, while leaving the high frequencies so that the diffusion characteristics of the device (over 4Khz) will be more effective in creating a feeling of openness in the room.

Graph showing the sound absorption coefficients of the HiPer Panel® Impact. Note that the high-frequency absorption decreases to allow the diffusion to be more effective in the listening space.

The differences between these products extend well beyond appearance. While both feature perforated surfaces, the Armstrong 1B’s small perforations simply exposed a thin mineral fiber absorber. By contrast, the HiPer Panel® systems use perforation geometry, reflective facings, engineered barrier layers, and high-density acoustic fiberglass to create a far more efficient and balanced acoustic device. Instead of merely reducing reverberation, they help shape the acoustic character of a room.

More than fifty years after their introduction, Armstrong® 1B perforated tiles remain recognizable symbols of an earlier era of architectural acoustics. Many continue to serve in municipal offices, schools, police interview rooms, and other institutional settings where functional noise control is sufficient. In modern recording studios, listening rooms, and performance spaces, however, engineered systems like the Acoustics First® HiPer Panel® and Hiper Panel® Impact represent the evolution of acoustic treatment—combining advanced materials, acoustic science, and carefully tuned performance to meet the demands of today’s most critical listening environments.

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Similar, yet different: HiPer Panel® vs. HiPer Panel® Impact

While the HiPer Panel® and the HiPer Panel® Impact may appear to be identical on the surface, there are some key differences that may change which one you would use, and why you would use it. They are both layered, flat-panel diffuser products, with perforations, and they are both covered in fabric. However, their construction, below the surface, is drastically different. One is a broadband absorber with a modified frequency response which focuses on reduction of specular energy, and cancellation of noise – where the other is a high frequency diffuser and reflector with a tuned bass absorption which is constructed to maintain acoustic energy in the space.

Construction

The HiPer Panel® was originally designed to optimize the capabilities of a standard broadband absorber. Its internal membrane and perforations create a material that works to modify the range of absorption, and create high frequency diffraction… but that isn’t all. The cavities are backed up to the membrane, which changes the reflection characteristics, where high frequencies can be reflected, and higher energy waves are absorbed more than if it was just fiberglass. This extended range is random, as the perforation density is gaussian in nature, but the membrane is also randomly backed by more cavities.

This design creates 4 different physical conditions that acoustic energy has to contend with… in a gaussian distribution.

  1. areas of the panel with 2 layers of fiberglass and a membrane in the middle.
  2. one layer of fiberglass with a rear membrane over a cavity.
  3. a cavity with a membrane back… sitting on fiberglass.
  4. a cavity with a membrane back… stretched over another cavity.

The random distribution of multiple acoustic obstacles is what gives this device its unique characteristics. It’s an absorber that changes its performance depending on where sound hits it, and at which frequency. Some frequencies pass into the cavities and reflect off the membrane, while others are dampened by the membrane… while longer wavelengths see the membrane as a stretched diaphragm or limp mass.

The HiPer Panel® Impact has a very different construction and may be used for a very different reason. The HiPer Panel® Impact uses the same pattern of holes, but the holes aren’t cut into an absorber… they are cut out of a reflective face, which is attached to an absober. Unlike the first HiPer Panel®, the “Impact” can be used to maintain more of the energy in the space, break up some of the higher frequencies with that gaussian hole pattern, and be a low frequency bass trap. The design is simple and effective, but is not necessarily used in the same places where you would use the first HiPer Panel®.

Use cases.

The first Hiper Panel® is often used in theaters, and listening spaces where focusing on the source is of primary importance. Its broadband absorption, gentle high frequency diffusion, and smooth mid frequency control are ideal for critical listening environments such as mixing rooms, media rooms, theaters, or even voice over spaces. The performance is about removing the acoustic elements that could interfere with the focus on the source speakers.

The HiPer Panel® Impact is often used in performance spaces, where you want to maintain energy, break up high frequency flutter, and remove low bass. The reflective face doesn’t remove as much energy from the space, however it does change the characteristics of the space. This helps break up some frequencies, reduce bass, and keep the energy moving around the room. Music halls, churches, auditoriums, and any space that relies on the room helping to reinforce the sound will benefit from these taking the edge off the highs and dampening the lows – which is how the HiPer Panel® Impact controls the sound… while helping it maintain its “impact.”

In summary, while these two products are in the same family, they have a different core construction, which changes their performance. There are scenarios where you may use them both, however since they address different problems in a space, they are not always interchangeable. Contact Acoustics First® if you have questions about any of our products.

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