Posts Tagged Model F
Eight very different 2′ x 2′ sound diffusers.
Posted by Acoustics First in Diffusion, Product Applications, Products, Recording Facilities on June 30, 2025
Acoustics First® has maximized the idea of adaptable designs. One of the most common modular architectural elements is the 2′ x 2′ ceiling grid. While standard, fiber ceiling tiles have their uses, specialized acoustic environments require higher-performing materials – for both absorption and diffusion. While Acoustics First® excels with its Sonora® and Cloudscape® Ceiling tiles, today we are going to focus on the wide range of 2’x 2′ diffusers that have been developed over the several decades.
Sound diffusers in a 2′ x 2′ format have several advantages, other than just being placed in a ceiling grid to help diffuse the ceiling. They integrate well on walls and in arrays, where they can help break up large flat surfaces and help minimize flutter and standing waves from parallel surfaces. While they provide many different aesthetic options, there are also many different functional types of diffusers available in this form-factor to address different acoustic issues, from flutter, bass issues, targeted frequency absorption, and geometric scattering. Let’s look at some of these devices and their uses.
Geometric Diffusers.
Geometric diffusers have been around a long time. These devices break up large flat surfaces and redirect or “scatter” those reflections in different directions. They work great in environments where you need to redirect acoustic energy in a predictable way, and redistribute a specular reflection over a wider area. In a 2′ x 2′ size, you can also get a fair amount of bass absorption, due to the large cavity behind the geometric shapes creating a space that can be stuffed with absorbent material to tune it.



Quadratic/Mathematic Diffusers
Mathematic diffusers are devices that use specific calculations to design their size, shape, and structures to effect their performance. A common type is called the Quadratic Residue Diffuser (sometimes called a Schroeder Diffuser, after its pioneering inventor, Manfred Schroeder). This type uses a Quadratic Residue Sequence that optimizes uniform sound diffusion at specific design frequencies. There are different ways to implement these designs, but two common designations are based on their diffusion patters – 1D or 2D. A 1D Quadratic diffuser mostly spreads energy in one plane, and a 2D provides a hemispheric pattern.



Organic Diffusers.
Organic diffusers are a variation on the classic mathematic diffusers which use different mathematic functions to optimize the diffusion further by creating a smooth transition. Once such method is called Bicubic Interpolation. Instead of having the math restricted to having blocks at certain heights, the interpolation bridges these heights using a function that provides a smooth transition to the next target height. This transition creates unlimited resolution in the frequencies within it’s functional range, providing expanded uniformity throughout its range, and increasing its capabilities. As different frequencies are affected differently depending on their wavelength – the organic diffusers have no hard edges to define their pattern and look differently to different frequencies and energy from varied sources.


These diffusers all have the ability to be used in different types of installations for different reasons. Many of these diffusers are mixed and matched in the same room. You will see these on the walls or ceiling, and placed in different locations. There are rooms with Double-Duty diffusers for low frequency control, Model C for Mids, and Model F for flutter, while other rooms may have Aeolians™ on the rear wall and Model C’s and Model F’s to control the ceiling.

Keep in mind, these aren’t even all the diffusers we have available, these are just the ones specific to the 2′ x 2′ format. The Aeolian™ has a 1′ x 1′ version called the Aeolian™ Mini. There are flat panel diffusers that are hybrid absorbers and diffuser like the HiPer Panel® and the HiPer Panel® Impact. There are even large format versions of the Double Duty™ diffuser, Pyramidal, and even the Quadratic Diffuser.
For more info about these diffusers, read some of our, “Similar, Yet Different Series,” where we go into more detail about our products… and how some of these are similar, yet different!”
If you have any questions as to which products you need to optimize your space, reach out to Acoustics First® and we can help you find which products will be best for your application. Remember that Acoustics First’s® full line of sound diffusers are all made in the USA, with many available in stock for quick shipping.
ArtDiffusor® Model C and Model F – Similar, yet different.
Posted by Acoustics First in Diffusion, Media Room, Music Tracking Room, Product Applications, Recording Facilities, Recording Studio, Studio Control Room, Theater, Uncategorized, Vocal Booth, Voice Over on August 20, 2020
We often get asked about the functionality of the different diffusers, and one of the frequently asked questions is about the differences between the ArtDiffusor® Model C and ArtDiffusor® Model F. We will cover some of similarities and differences in the design, functionality and use of these two devices.
Design.
The Model C and Model F use identical math to come up with their basic structure, they even have angled faces – the main difference between the two is that the Model F elements are ½ of the Model C’s height, length and width – and then it is duplicated 4 times in the same footprint… The Model C is nominally 2’ x 2’ x 4” deep. The Model F is four quadrants that are nominally 1’ x 1’ x 2” deep – like little scaled down Model C’s… This makes them visually similar and aesthetically compatible. This low profile design makes the Model F more desirable for ceiling installs in spaces with very limited headroom – like basement studios that have low ceilings.
Performance
Due to the different size of the elements on the two devices, they have very different frequencies at which they are most effective. The Model C is a mid-frequency diffuser by design… having larger elements and deeper wells than the Model F. The Model F is primarily a high-frequency diffuser, due to the small elements and lower profile. Both diffusers are tuned to different frequencies as their “primary range,” and while they do affect lower and higher frequencies than they are designed for – it is to a lesser degree, or the product of absorption.
What does this mean?
The Model C has a primary design range of 1KHz to 4KHz. This is where it is primarily designed to work. It can and does diffuse below 1KHz and over 4KHz – just to a lesser degree than its primary design range.
The Model F has a primary design range of 2KHz to 8KHz, and again, it does diffuse outside of that range, but to a lesser degree.
The angled caps of both the Model C and Model F help to extend their high frequency range by reflecting sound in different directions at higher frequencies – causing the sound to scatter spatially. The different heights of the elements cause sound reflections to be offset “temporally,” or in time. The sound that hits the higher elements is reflected sooner than the sound that hits the lower elements – travelling further before it is reflected. This time offset, changes the “Phase Coherency” of the reflection; the larger the difference in the heights, the greater the offset in time.
The size of the elements matters as well. The shorter wavelengths of high frequencies can diffract and scatter off of the smaller elements of the Model F more readily than low frequencies, which see the Model F as a slightly angled & mostly flat surface. However, the lower frequencies are more affected by the larger and deeper elements of the Model C.
How do these differences help define their use?
The Model C is a great all around diffuser – it covers a wide range of frequencies, throws a very predictable 2D diffusion pattern, and it is tuned to a very musical range.
The Model F is a great high-frequency diffuser. It targets a few very specific, yet important issues. High frequencies are responsible for some nasty problems in rooms. Flutter echoes, ringing, comb filtering, and other artifacts are particularly noticeable in higher frequencies. If your room is otherwise performing well acoustically, the Model F can help tackle that last hurdle to make a good room into a great room.

Many critical listening environments use both the Model C and Model F to tune the diffusion in their space.

While the white Aeolians® on the back wall are the visual focal-point on in Big3 Studio A, look closely at the ceiling and you will notice a large array of black Model C’s and Model F’s. These help to intermix the diffusion of different frequencies in the large control room.
Due to their aesthetic and functional compatibility, many rooms benefit from using both. Model C’s addressing the bulk of the Mid-range diffusion, and the Model F smoothing out the top end.
I hope that this highlights the unique properties of both the ArtDiffusor® Model C & ArtDiffusor® Model F – and helps to demystify their function and use in your space.
Big3 Studios – Aeolian® Diffusers
Posted by Acoustics First in Diffusion, Product Applications, Products, Recording Facilities, Studio Control Room, Uncategorized on August 17, 2018
We recently received these wonderful installation pics from our friends at Big3 Studios in Florida. They redid the back wall in one of their control rooms using our Aeolian® Sound Diffusers. In a couple of the pics you can also see our Model C & Model F Art Diffusors® (black) in the ceiling!
Aeolian™ Diffuser – Mash up
Posted by Acoustics First in Diffusion, Home Theater, Music Tracking Room, Recording Studio on January 19, 2018
Here’s one of the first install pics of our new Aeolian™ Sound Diffusers, installed in a home project studio. Also note the Art Diffusor® Models F & C, in the ceiling and behind the speakers respectively. This is obviously a diffuser connoisseur’s room.
Below shows the room after the Sonora® products are installed.





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